
- #The weeknd die for you official instrumental series
- #The weeknd die for you official instrumental free
The album version of the song runs for a duration of five minutes and thirty-nine seconds, which segues from the preceding track "How Do I Make You Love Me?". "Take My Breath" has been described by music critics as a disco, dance-pop, funk and synthwave track with elements of psychedelia. The title of the single and its release date of August 6 was confirmed later that day through a promotional video for the 2020 Summer Olympics, which featured hurdlers Sydney McLaughlin and Dalilah Muhammad, middle-distance runner Athing Mu and sprinter Gabrielle Thomas. On August 2, 2021, a snippet of "Take My Breath" with a visual of a sunrise titled " The Dawn Is Coming" and a GQ cover story was released in anticipation of new music. He also released the singles " You Right" with Doja Cat and " Better Believe" with Belly and Young Thug during that period. Later on during the 2021 Billboard Music Awards in May, he went on to state in his acceptance speech "I just want to say the After Hours are done and The Dawn is coming." Throughout June and July, the Weeknd continued to mention his upcoming project under the tentative title The Dawn by revealing a new transitional look. The Weeknd first teased that he was working on a new album in September 2020, via an interview with Rolling Stone in which he stated "I might have another album ready to go by the time this quarantine is over". The song debuted at number six on the US Billboard Hot 100, marking the Weeknd's thirteenth top 10 entry. Ī disco, dance-pop, funk and synthwave track with psychedelic elements, "Take My Breath" was met with widespread critical acclaim for the Weeknd's vocals and its production, which was influenced by the beats and synthesizers of the 1980s. The song was written and produced by the Weeknd, Max Martin and Oscar Holter, with Ahmad Balshe, Andrea Di Ceglie and Luigi Tutolo receiving additional songwriting credits. It was released on Augthrough XO and Republic Records, as the lead single from his fifth studio album Dawn FM (2022). " Take My Breath" is a song by Canadian singer-songwriter the Weeknd. It’s like Scarface, the villain: It’s horrible, but you can’t stop looking at it.” Though he didn’t release a new album in 2021, he was a constant part of the cultural conversation, releasing a slew of singles, performing at the Super Bowl and on Saturday Night Live (think: “Ladies and gentlemen, The Weeknd”), and winning the Apple Music Award for Artist of the Year.2021 single by the Weeknd "Take My Breath" You add more to him, and then it’s uncontrollable-its own character. Sometimes you take him and then you create more, and then it becomes this beast. That guy is who I am, but it is who I am to myself and in my writing. Speaking to Apple Music about the persona behind his songs, Tesfaye said, “I’m a chill person. And though his music has gotten a little brighter over time, the prevailing mood remains heavy, even unsettling-the ride you want more of even when you’ve had too much.
#The weeknd die for you official instrumental series
Tesfaye’s music has become a symbol of hedonism pushed to bleak excess, with a series of albums-including 2015’s Grammy-winning Beauty Behind the Madness, 2016’s multiplatinum Starboy, and 2020’s dense and atmospheric After Hours-whose narrators can’t seem to say no even if they hate themselves for it later. Ethiopian by heritage (his parents immigrated to Canada in the late ’80s, just before he was born), Tesfaye-out from behind the mask of making art online-has since come to represent the changing face of Toronto, rooting himself not just in an international musical community but in a specific diasporic experience.
#The weeknd die for you official instrumental free
One of the earliest musicians to find his footing on the internet, Tesfaye originally offered his music through YouTube and free downloads, a move that felt radical then but is common now. The brainchild of Toronto singer Abel Tesfaye, the project took off in 2011 with a string of mixtapes (later collected as 2012’s Trilogy) that forged cavernous, falsetto-driven R&B with narratives drenched in drugs, sex, and other regrettable decisions-a sound both sensuous and detached, featherlight and dead heavy. Even the singer’s sunniest tracks (“Can’t Feel My Face,” “Starboy”) feel anchored by darkness-the sense that pleasure is pain and beauty decays and you can’t have the night without the morning after. Nobody makes feeling bad sound as good as The Weeknd.
